Marlon du Toit thrives on adventure and has a deep connection with Africa and its beauty. Growing up near the Kruger National Park he was immersed in nature from a young age and is now a professional field guide at Singita Sabi Sand.

His eye for capturing split-second moments on camera is astonishing, and after years behind the lens, we thought we would give our readers some of his ideas for taking the perfect wildlife photograph when out in the bush. Follow the Singita blog for Marlon’s upcoming articles.

Black and white photography has become a little “washed-out” as of late, excuse the pun. Great photographers such as Nick Brandt have created an epidemic by creating fine-art masterpieces in black and white, and it seems that many are now going down that same route and failing hopelessly. I don’t consider myself the best monochrome photographer out there by any stretch, but I do believe that I have an eye to know whether it will work or not. Simply put, there is more to a black and white image than the simple click of a button. By taking a little time to process your image you can create something breathtaking.

The kind of software you utilize makes a world of difference. The “black and white” button on iPhoto may be fine for your desktop background picture, but if you want something more impressive, perhaps an image for your wall, you need to go bigger. I make use of Adobe Photoshop Lightroom 4. It is an amazing program and will help you immensely. It is easy to figure out and will allow for stunning monochrome images in a short amount of time.

In this upcoming blog article series I will go through 5 of my recent images and explain why I selected them specifically, and why I feel they work in monochrome. The larger of the two images is the final product and the smaller is the original RAW image imply converted to black and white.

A monochrome image often needs to be punchy. You can use your creative freedom to the maximum here as long as you stick to basic principles, such as still having exposure in check, and that your images are nice and sharp. In Lightroom I use a slider called “Clarity” a lot. It gives your image a beautiful look as it deepens the dark tones and highlights the lighter parts. The finish is amazing and you will love it. Contrast plays a huge role here and you need to really deepen the darker tones. It adds dynamic to your image and creates a three-dimensional feel. In Lightroom there’s also a fill-in brush. This allows you to edit specific areas in your image such as, only the face, or only the background. I make use of this tool often and it helps me create dynamic images in monochrome. There are many more techniques and hopefully my comments on the photographs in this series will explain a few more things for you. These are only merely pointers in the right direction and by no means the be-all and end-all of monochrome photography. I hope it helps…keep visiting this blog space – Marlon du Toit.


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