Tag Archives: monochrome

Shooting in Monochrome – Rhino Road

November 05, 2012 - Conservation,Sabi Sand,Safari,Wildlife

There is a term photographers use called “leading lines”. This refers to a line cutting through an image, such as a road, fence or river. It draws the viewer into the image and, if done correctly, can tell a great story. This image has meaning to me because I feel it shows the hard road rhinos have ahead of them, fighting a lonely and difficult battle against poaching. This single rhino on a winding road portrays that to me.

Once again, the clarity slider came into effect here and it gives great texture to dark-skinned animals. I try to crop my images as little as possible as to not lose size and quality, and this is an important factor to consider. Always try and think about the final image you want as you take it, and avoid cropping as much as possible in post processing.

I lightened the road in the foreground to give more emphasis to the rhino, and decided not to darken the edges as I wanted to emphasize the sense of space and isolation of the subject. The motion in the front left leg is important as it shows the rhino is active and busy walking down the long and winding path. All these subtle elements combine to make a big, sometimes subconscious, difference in the end.

Rhino Road by Marlon du Toit

Marlon du Toit thrives on adventure and has a deep connection with Africa and its beauty. Growing up near the Kruger National Park he was immersed in nature from a young age and is now a professional field guide at Singita Sabi Sand.

His eye for capturing split-second moments on camera is astonishing, and after years behind the lens, we thought we would give our readers some of his ideas for taking the perfect wildlife photograph when out in the bush. This is the last post in this particular series, but please check back regularly for more of Marlon’s wonderful photographs and expert advice.

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Shooting in Monochrome – The Big Tusker

October 26, 2012 - Conservation,Sabi Sand,Safari,Wildlife

I am in love with large elephant bulls with beautiful wide tusks. These old bulls are rather “easy” to photograph, as they tend to be more relaxed than the younger bulls. They just have this presence about them and if you can capture that you would have done well. To get this particular shot I had to get close, real close. It was shot with a 16-35mm lens and to create that slightly out of proportionate effect you need to be close. Now don’t go out there and have yourself trampled by a big ellie! Always be careful when in close proximity to these large animals.

Everything works for me in this image. Once again it was a cloudy day and it brought out the texture and folds in the elephant’s skin and trunk. I brushed the elephant separately and used a lot of clarity and contrast on him to emphasize that without making it look too unnatural. The scratches on his ears simply add character and I love it. I also appreciate how the tusks push forward almost giving you the feeling of being stabbed in the eye! That is thanks to being near to my subject with a wide angle lens.

The sky is also important to me. Notice how on the original image below you don’t notice much in terms of cloud cover. Thanks to shooting in RAW format I managed to gain back detail in the sky, something you will not be able to do when shooting in JPEG. This is important to consider as you will not get the best of your images in JPEG format. RAW simply is the way to go and will allow you more freedom when processing. Overall I am absolutely in awe of the “largeness” of the big bull as he fills the frame. It shows power and absolutely screams of Africa.

Marlon du Toit thrives on adventure and has a deep connection with Africa and its beauty. Growing up near the Kruger National Park he was immersed in nature from a young age and is now a professional field guide at Singita Sabi Sand.

His eye for capturing split-second moments on camera is astonishing, and after years behind the lens, we thought we would give our readers some of his ideas for taking the perfect wildlife photograph when out in the bush. Follow the Singita blog for more of Marlon’s tips for black and white photography in the wild.

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Shooting in Monochrome – Leopard Portrait

October 19, 2012 - Sabi Sand,Wildlife

I absolutely love eyes. It’s said that eyes are the windows to the soul and I believe it also applies to animals. Wherever possible, always try and capture the eyes, the essence of that animal. It will immediately capture the viewer and engage them.  It also adds that human element or emotion and will make the world of difference. In Lightroom you can isolate the various colours from oranges to blues and brighten or darken them with striking results. Once again the clean background here is essential. I darkened the blue background to make this female leopard stand out more. Her whiskers are a key element and it shows her focus as they stand out against that clean background. I used a fill-brush to work on her exclusively and brought her out with highlights and clarity sliders. The eyes I worked on separately and tried as best to lighten them and to create that glassy feel.

This photograph was taken in the last light of the day with a shutter speed of 1/100th of a second, and at 1600ISO. It was shot hand held with a 400 2.8, at an aperture of f/2.8. This is often the time most people will pack their gear away but if you can manage to capture a few more images you will be pleased at the texture and detail in this kind of light. It is perfect for conversions to black and white. Once again I darkened the edges a little to emphasize this animal and her beautiful posture.

Marlon du Toit thrives on adventure and has a deep connection with Africa and its beauty. Growing up near the Kruger National Park he was immersed in nature from a young age and is now a professional field guide at Singita Sabi Sand.

His eye for capturing split-second moments on camera is astonishing, and after years behind the lens, we thought we would give our readers some of his ideas for taking the perfect wildlife photograph when out in the bush. Follow the Singita blog for more of Marlon’s tips for black and white photography in the wild.

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Shooting in Monochrome – Lion Grimace

October 11, 2012 - Events,Wildlife

The first thing that stood out for me was the clean background and the fact that this image was out of focus delivering more impact on the subject in focus. The posture of the lion is striking and immediately draws the viewer in, a very important factor. I cropped a little from left to right, to exclude the thicker branches in the bottom left corner. The remaining grasses are soft in texture and contrasts with the flashing teeth. The texture in the mane of the lion as well as his barred teeth makes it all work and come together. I have also darkened the edges of the image to draw attention to my subject.

Marlon du Toit thrives on adventure and has a deep connection with Africa and its beauty. Growing up near the Kruger National Park he was immersed in nature from a young age and is now a professional field guide at Singita Sabi Sand.

His eye for capturing split-second moments on camera is astonishing, and after years behind the lens, we thought we would give our readers some of his ideas for taking the perfect wildlife photograph when out in the bush. Follow the Singita blog for more of Marlon’s tips for black and white photography in the wild.

Read More


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